In a culture where shows like Jersey Shore, Keeping Up With The Kardashians, and Here Comes Honey Boo Boo engross TV viewers everywhere, it's important to acknowledge programming that engages audiences with clever writing and stimulating material. Every so often the networks get it right and support a series that is a breath of fresh air with clearly developed characters, perfectly cast actors, and a luring and often intricate plot. In appreciation of such shows, I have started this commentary.

Sunday, February 3, 2013

AHS Asylum: That's All She Wrote

Welcome to the Season 2 finale of American Horror Story. I’ll be honest and say that it took me over a week to post this blog entry because I didn’t really want the season to be over…and I’ve also been processing this final episode in my brain since it aired. There were a lot of loose ends to tie up going into this hour, and for the most part, we get the answers we’ve been looking for…
 
The episode opens (as did the first episode – nice touch) with Leo and Teresa making their way into Briarcliff to explore the asylum as part of their haunted honeymoon. What they don’t know is Johnny Morgan, our Modern Day Bloody Face, is doing his own sightseeing there as well. We know now that it was Johnny who cut off Leo’s arm in episode 1, and unfortunately for the lovebirds as well as the Bloody Face teenage fans, they were just in the wrong place at the wrong time.
The rest of the finale is told through a present-day interview with Stupid Lana. Yes, I’m still pissed at her. Seems she will be receiving an award at the Kennedy Center Honors and the Kennedy Center crew is putting together a video package for the ceremony. Stupid Lana has found fame and fortune at this point and even love….her partner is an opera singer and they have a lavish home together in New York.  
During the interview we learn that Stupid Lana did go back to Briarcliff several years after she and Kit met for coffee and he told her she sucked. Arriving through the death chute (which should just be marked as the main entrance at this point), Stupid Lana took a cameraman into the asylum so she could document her great act of liberating the inmates and revealing the deteriorating conditions in Briarcliff. The inhabitants were indeed living in fifth, malnourished and covered in feces. This exposé set Stupid Lana up for her future career of investigative journalism and revealing the truth behind the world’s shadiest of characters.
 
The first shady character on her list was Cardinal Timothy Howard. She confronted him that year, on camera of course, as he was on his way to Easter mass. She informed him that the world now knew about his dealings with Dr. Arden due to documentation found in the asylum...including the human experiments conducted under the former Monsignor’s reign.  This confrontation caused him to slit his wrists in a bathtub shortly thereafter.
Stupid Lana had hoped to free Sister Jude as part of this documentary as well, but the former nun was nowhere to be found. She did find paperwork on Betty Drake, the alias given to Jude by Monsignor Timothy before he left Briarcliff, and she discovered that Betty Drake had been released to Kit Walker just after they had spoken. So off she went to Kit’s house, camera crew in tow, to try to catch a reunion on film. Kit, however, wanted no part of the documentary, but he did agree to tell Lana what happened to the Jude.
After discovering Jude was still alive, Kit had started visiting Jude at Briarcliff. He eventually brought her home to live with him and help raise his children. He explained to Lana: “I didn’t do it for her. I didn’t really do it for me. I did it for the kids. I needed to be there for them, and the only way I could leave Briarcliff behind once and for all was to find some way to forgive. Someone to forgive.”
Jude had her ups and downs at Kit’s house in the beginning. She first had to go through a detox from all of the asylum’s happy pills. Then there were also times she believed she was still the head of Briarcliff (there is a hilarious scene where she chases little Thomas around with a broom while she threatens to kick his ass). But one day Thomas and Julia took her by the hand and led her out into the woods behind the house. They must have done some weird alien healing stuff to her (Pepper comes to mind here), because when she returned to the house she was good to go. Jude spent her final 6 months or so loving life at the Walker house, teaching Kit and the kids to swing dance and becoming a mother/grandmother figure to the family.
Jude’s health finally started to wear down, and she talked with the kids while she was on her death bed. She told Julia to never let a man tell her who she is or make her feel like she is less than he is. Her words of wisdom to Thomas were to never take a job just for the money – to do something important that he would love instead. The children referred to her as “Nana” when Kit shooed them away in Jude’s final moments. He promised not to leave her alone, but she was already prepared for The Angel of Death who lurked in the corner.
“Jude, we’ve been doing this dance for so many years. Are you sure you’re ready this time?”
“I’m sure. I’m ready now. Kiss me.”
And yes, this entire portion of Jude’s story got to me and made me very emotional. I’m so glad that she was able to find happiness in the end and make a difference in the lives of children. Jude had spent so many years wracked with guilt thinking she had accidentally killed a child, and to have Julia call her “Nana” was beyond touching. I’m entirely satisfied with how her story ended, and I'll never be able to say enough about Jessica Lange's performance this season.  
Present day Lana takes an interview break at this point and a man posing as a Kennedy Center crew member brings her a sparkling water. It seems Johnny has chosen this day to confront his mother, and he glares at her when he delivers her beverage. The interview continues...
Coincidentally (or not) Lana chooses to reveal a big secret during the second half of her interview. She explains that Thredson’s baby, who she claimed in her book had died shortly after birth, is alive. He sure is. She tells a story about having guilt over giving him up for adoption and checking up on him at a school playground in the 1970s. A young boy at the time, Johnny was bullied much like his father was growing up. Lana stuck up for him, helping him off the ground and putting his glasses back on him…reminding her for sure of Thredson. She put her hand on his cheek and then he left. This was the only time she saw him. “But I thought about him so often, wondering where he was, how he turned out.”
This encounter led her back to Kit Walker and his family, and Lana tells her interviewer that she became close with Kit’s kids which helped her fill the void left by not raising any children of her own.  We also learn that Kit married a girl named Allison and they all became one big happy family with Lana as the children’s godmother. Thomas grew up to become a law professor at Harvard and Julia became a neurosurgeon at John’s Hopkins.
And now we reach the end of Kit’s story. At around the age of 40 he developed pancreatic cancer. His fight was brief and he spent his last couple of months under a nurse’s care in his home. Lana mentions that the kids offered to take care of him but he did not want to burden them. I’m not sure where Allison was during all of this. One day, however, Kit just disappeared. We as viewers see him rolling his wheelchair down the hallway and the bright alien invasion lights take over the screen. We can assume that they took him, cured him, and hopefully refrained for probing him anymore. His kids must have been clued in to his abduction because they insisted a funeral was not necessary…that there was no reason to mourn. There is no mention at all of Allison. What was the point in having her around at all?
Now I will say that the way Kit’s story ends is very disappointing to me. This was as rushed as Grace and Alma’s deaths to me and Kit deserved far more than that. What we got was 3 minutes of “Kit got married to someone who seems meaningless to the plot, then he got cancer, then the aliens came for him. But it’s okay. Mourning wasn’t necessary.” These 3 minutes also bring us to the end of the alien storyline, so we never quite figure out why the hell they were obsessed with him to begin with.  If he was so amazing, shouldn’t Allison have had alien spawn with him too? I guess we’ll never know. Moving on (unhappily).
The interview comes to an end and everyone leaves. Lana starts to pour herself a drink…and reaches for two glasses. Wait. What? “Can I pour you a drink? Why don’t you come out now? No need to hide,” she says. “Not anymore.” Johnny enters the room. She knew who he was all along. Detectives had paid her a visit with photos of Johnny after he became a suspect in several murders, including the deaths of the elderly couple who was living in Oliver Thredson’s old house. Would she have told her interviewer the story of guilt she felt for her long lost son if he hadn’t been in her house? Probably not.
Mother and son chat over a drink. She tells him he looks like his father. He tells her that he knew he was her son when she helped him that day on the playground – that he felt something. He would see her on TV and tell people she was his mother and they would laugh at him. Johnny had hopes that she would come back for him or reach out to find him when he got older. After he bought Thredson’s confession tape on eBay (yup, shout out to eBay), he decided he hated her. Thredson had pled with Lana to keep the baby and she told him over and over again on tape that she didn’t want his baby.
Johnny sits on the coffee table in front of Lana and face to face they size each other up. He is eager to finish his daddy's work. She keeps her cool until he pulls a gun on her holds it against her head....then she starts to sweat a little and needs to do some quick thinking. Time to regroup. Johnny explains that he just wants to make his father proud, but he just can't seem to measure up. She tells him his father was a monster. She calls him “baby” and starts to play the mom role just as she had done with Thredson. She puts her hand to his cheek once more. “You could never be like him. Not that sweet little boy I saw on the playground. Even then I knew you were a better man that he was. It’s not just him that’s in you. I’m a part of you too.” With these soothing words, Lana is able to lower Johnny’s gun. He sobs and tells her that he's hurt people. Mother tells him “It’s not your fault, baby. It’s mine.” Then she puts a bullet in his head.
The screen flashes back to 1964 and I start to freak out because I think there’s a twist coming. No twist though. Just Lana and Jude’s first meeting at Briarcliff - the journalist hungry for a story and the nun who dismisses her as “Lana banana.” Jude gives her unsolicited advice and and cautions Lana on her ambitious nature. “Just remember…if you look in the face of evil, evil’s going to look right back at you.” Lana heads out the doors of Briarcliff and we can hear Kit being escorted in from outside. Jude turns back toward the stairway to Heaven, glances at the statue of the Virgin Mary, then makes her way outside to meet the newest asylum resident.  
 
And that’s that. All in all, there were not many surprises in this finale. The fact that Lana knew who Johnny was from the moment she saw him was clever, but we all knew there would be a showdown between the two. And because Lana has been Ryan Murphy’s favorite character all season, I’m not shocked that she is the last one standing. It’s no secret that I was not a Lana fan. I think Jude had moments of redemption and Kit served his role as a Christ figure well. But Lana? I never found myself rooting for her….not even when her son had a gun to her head. All of her "moments" this season were shrouded in her selfish tendencies. But even though she was Stupid Lana to me, Sarah Paulson did an amazing job portraying her.
 
Also, If the season was going to end up being all about Lana’s struggle, then perhaps we didn’t need multitude of other subplots. In 13 episodes we had demon possessions, The Angel of Death, Nazi hunters, human experiments, flesh-eating mutants, alien abductions, suicidal drifters, molested axed-murderers, bloodthirsty Santas, homicidal children, Anne Frank (but not really), and more breastfeeding than I ever cared to see. Here’s hoping Season 3 is simpler…
With that in mind, Jessica Lange, Evan Peters, Sarah Paulson and Lily Rabe have all signed on for another season, and Season 1's Taissa Farmiga (Violet) is rumored to be the lead character. Ryan Murphy promises us glamor which means my earlier Salem witch trials theory is probably wrong, but maybe we’ll get some sort of modern day witchcraft anyway. We have a long time to wait, but I will absolutely be chomping at the bit until the series returns. In the meantime, I'll be on the lookout for other shows to add to this blog. Stay tuned…